Beer Pong Too Strong For Wii

By Adam Redsell on July 7, 2008 at 10:41 AM

Beer Pong fans will have to settle for the real thing, thanks to outraged parent and university groups. Beer Pong was to be released on Wii Ware last month as part of JV Games' Frat Party Games line, but those plans came to a grinding halt when the cries of hot mothers and stuffy deans reached the ears of Connecticut attorney-general Richard Blumenthal.

Blumenthal determined that the ESRB had made a grievous error in clearing the game for young teens, expressing concerns that future games in the Frat Party Games series will be approved for that age group. In what appeared to be a panic-propelled backflip, JV Games VP Jag Jaeger [hello, deed poll!] announced that the game will be renamed "Pong Toss" and all references to alcohol removed. Thing is, the game contained no alcoholic references to begin with, according to the ESRB president Patricia Vance:

"Despite being premised on a drinking game, the game's content involves essentially nothing more than tossing pingpong balls into plastic cups. We are thus unsure of the basis for the statement in your letter suggesting that this content 'glorifies alcohol abuse and binge drinking."

Touche. Blumenthal [blue menthol?] responded by pointing out that "beer" was explicitly referred to in the title, accompanied by a depiction of said beverage. He added that kegs and beer mugs were clearly visible at some of the beer pong tables, and that there was even a full bar in the background. Clearly Richard has spent a lot of time with the game.

So "Beer Pong" is now "Pong Toss" and the oldies are satisfied. Where this leaves the follow-up title, "Bong Toss", remains to be seen.

'Beer Pong' Video Game Has Controversy Brewing [Fox News]

My Top 7 Games of the Year 2012

I haven't played every notable video game that released in 2012, but I have played a fair whack of them, and I wanted to highlight them here.

NUMBER SEVEN: Borderlands 2

 

 I tried to get into Borderlands last year, and once again this year, but it just didn't hook me the way the sequel did.  I'm not certain what was so different about Borderlands 2 that made me hunger for loot and level-ups; perhaps the smart writing and humorous dialogue greased the wheels.  All I know is that with Borderlands 2, I now care what guns I'm carrying; I now want to tick off everything on my to-do list; I now want to play a first person shooter for more than 50 hours...

NUMBER SIX: XCOM: Enemy Unknown

 

I don't play many strategy games, but when I do, it's usually a well-crafted one by Firaxis.  XCOM: Enemy Unknown is no exception, and may well be my favourite strategy game this side of Civilisation II.  I was emotionally invested in my squad, and not wanting to see them die horribly was the key motivator to playing the game patiently and properly.

NUMBER FIVE: Mass Effect 3

Sure, Mass Effect 3's ending left a lot to be desired, but every story beat brought a Mass Effect story thread to a satisfying conclusion.  Some of these moments were among the most deeply moving experiences I've ever had playing a video game.  It's not the best Mass Effect game, but it was worth it just to see Garrus, Thane, and Mordin one last time.

NUMBER FOUR: Mark of the Ninja

Mark of the Ninja was the most mechanically satisfying game I played all year.  The controls are tight and super-smooth, the ninja's arsenal is versatile and interesting, and the game deftly transmits feedback to the player.  All of these things are paramount for a stealth game, but what's most remarkable about Mark of the Ninja is that it makes all of these things work in 2D.  2D stealth has never been done before, but this game will make you wonder why nobody tried it sooner.

NUMBER THREE: Journey

Journey is one of the most beautiful games ever created, inside and out.  It is filled with the awe of discovery. Discovering another player for the first time; discovering that close proximity to that player increases your ability to fly, and keeps you warm in a snowstorm.  It's magical.  By limiting player communication to a single sound and a single button press, it manages to forge unspoken bonds between complete strangers.  So much so, my stranger-turned friend and I simply stopped and stood on top of a hill, just to look at the sky.  It was a rare moment of shared beauty.

NUMBER TWO: Hotline Miami

Hotline Miami is a horrible 80s cocaine binge in the best possible way.  Its broken-record soundtrack, hazy filter, and wavering camera put me right in the disturbed headspace of its protagonist.  In a way, the game is a systematic, stealth action game.  But its one-hit-one-kill policy rewards the brazen far more than the methodical.  The game kills you until you are a genuinely better player.  Twitch reflexes develop; muscle memory sets in.  Make no mistake, I died many times during the course of Hotline Miami, but I thought to myself, just one more try, EVERY time.  The game design really serves and encourages this with quick controls and quick restarts.  Clearing a level is satisfying because it can only be done quickly and flawlessly.  It is also harrowing because the music stops and the game forces you to reflect upon your violence as you do the walk of shame back to your car.  Hotline Miami is conceptually brilliant: the most violent statement against violence in video games.

And NUMERO UNO is...

THE WALKING DEAD

The Walking Dead video game is not only superior to the television show; it is better than the comic book series that spawned them both.  The emotional bond with its characters is strengthened by the interactive nature of the medium.  Its high stakes plot is raised by throwing the player into heart-wrenching decision-making.  The Walking Dead treats player choice with the deepest respect, and yet there is a fatalism that propels its story.  Often those choices will be between abandoning or mercy-killing a doomed friend or family member.  At two particular points, the weight of these decisions reduced me to a weeping, sobbing mess.  By the game's conclusion, I felt like an empty shell of a man - a zombie, if you will - and it took me a long time to recover.  It's not often I can say that about a video game, let alone any form of entertainment.  Congratulations Walking Dead, you are my Game of the Year for 2012.

Rage Against the Machine: Wii U and Bayonetta 2

Platinum Games have copped a lot of hate - and even death threats - following the announcement of Bayonetta 2 as a Wii U exclusive.  Nintendo named itself as the game's publisher, practically assuring its exclusivity, and no doubt adding fuel to the fire.

The people who are angry about all this are people who considered a multiplatform Bayonetta 2 to be a real possibility.  To the those people, I would say this: you should be thanking Nintendo, because I assure you, Bayonetta 2 would not exist on any platform without them:

"That being said, the console games market is in a state of upheaval, so establishing a new game franchise requires a considerable amount of will, determination, and love. Bayonetta is a brand that we want to see become stronger, reaching the hands of more and more gamers, so we have continued to consult with SEGA, the previous game’s publisher, on how we can make sure this takes place. Our answer was a new partnership with Nintendo."

It's not all roses for Bayonetta 2.

Consider this: Platinum Games have not had a hit since the original Bayonetta, which only sold 1.35 million units worldwide.  Now, if I sold 1.35 million of anything, I would regard that as a success, but for SEGA as a publisher, I would imagine that the game sold well below expectations given the marketing push it had.  Now consider the fact that SEGA has financially hit a tight spot, and have had to drastically scale back their publishing operations in order to guarantee future profits.  That means sticking to your Sonics, your Yakuzas, your Monkey Balls, and your Total Wars - not your Bayonettas.  I would add that it is highly likely that Bayonetta 2 was part-way through development before SEGA's scale-back as well.

So you're Platinum Games, and you're faced with a decision: either throw Bayonetta 2 in the bin and it will never get made, or shop it around to another publisher, one that will not only need to fund its remaining development, but will also want it bad enough to buy it back from SEGA.

The only publisher who fits that bill is Nintendo.  Nintendo needs a strong launch lineup for the Wii U, and it needs to prove to 'core' gamers that it is serious about securing exclusive AAA third party content going forward.  In a huge show of faith, Nintendo is also putting its name to Platinum's new IP, publishing Wonderful 101 at launch.

It's clear that Nintendo is supporting Platinum in a big way, and Platinum is returning the favour.  Platinum was clearly looking for a way that Bayonetta 2 could exist, and Nintendo has provided them with that way.